Teach you to play the guitar at any age!
You can study at school and on-line
Individual and group lessons
ONLY THE MOST IMPORTANT THING – A LOT OF PRACTICE
In the school of musical art teaching classical guitar is based on the time-tested methods of Francisco Tarregui, Matteo Carcassi schools.
Teaching pop guitar is based on the author’s method of picking by ear and arranging music for one guitar and guitar ensemble.
The educational process in the school of musical art provides a comprehensive and methodically accurate approach to the study of the guitar in accordance with a comprehensive training program.
Thus thanks to the individual-oriented work of the teacher the program is adjusted personally for each student taking into account his or her current knowledge, abilities and skills and also proceeding from the degree of employment and goals put before the student.
COMPREHENSIVE PROGRAM OF TEACHING THE GUITAR:
TECHNICAL EXERCISES
A properly crafted set of exercises will provide the guitarist with a reserve of strength for a comfortable mastery of the instrument:
Variable strokes, different types of right hand movements, blues and classical left hand positioning, speed picking, downstroke, upstroke, palm-mute, hammer-on, pull-off, timing, slides, legato, bends, vibrato, natural and artificial flagelets, chicken-picking, hybrid-picking, economy-picking, sweep, single, double and pick-tapping, using the Floyd Rose system
PRODUCTIONS
The guitarist’s versatility and freedom to choose a genre is shaped by the intelligent selection of pieces in the curriculum:
Riffs: Extreme, Ozzy Osbourne, Mr. Big, Van Halen, ACDC, Dream Theater, Whitesnake, David lee Roth, Skid Row, Motley Crue, Guns N’ Roses, Led Zeppelin, Metallica, Black Sabbath, Ncikelback, Godsmack, Alter Bridge
Solos: Paul Gilbert, John Petrucci, Andy Timmons, Steve Vai, Joe Satriani, Nuno Bettencourt, Slash, Gary Moore, Marty Friedman, Jason Becker, Zakk Wylde, Randy Rhoads, Jake E. Lee, Yngwie Malmsteen, Brian May, Richie Kotzen, Richie Blackmore, Steve Ray Vaughan, Tony Iommi, May Lian, Jimi Hendrix
Clichés: Greg Howe, Guthrie Govan, Rick Graham, David Walliman, etc. And much more
THEORY
The necessary theoretical background will allow you to analyze musical works and write your own parts and compositions:
musical notation, durations, musical form, intervals, scales (diatonic, pentatonic, chromatic, conventional diatonic, etc.), quarto-quintic circle, relatedness of tonalities, chords, chord overlays, chord substitutions, fingering thinking, harmonic scales, functional system
LEARNING DEVELOPMENT
Take your guitar parts by ear and control your playing with a series of special exercises:
singing scales, intervals and chords, intonation and rhythmic exercises, comparing and identifying intervals by ear, identifying chords and chord sequences by ear, selecting melodies and accompaniments, taking complex guitar parts by ear
IMPROVISION
Applying your knowledge, skills and abilities to your own improvisation is one of the most challenging parts of the learning process:
ways of creating a melody, harmonic (vertical) improvisation, modal (horizontal) improvisation, building the guitarist’s vocabulary and phrasing for improvisation and applying it in different musical contexts.